Cocker Westwood Jett

19,5×23,5″

Transfer, acrylic and marker on fiberboard

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Iggy Pop, the Ramones, Patti Smith, Debbie Harry, legendary figures that society turned into immortal icons, not because of their original rebellion, but because they were transformed into eternal products, sold and resold to the point of nausea, are reconfigured through a pop prism.

Using mixed techniques —including acrylics, photocopies and markers— I play with visual fragmentation to create characters that oscillate between celebrity and anonymity, between the iconic and the invisible, dislocated portraits, where the image and the myth are constantly constructed and deconstructed.